Amy (
kitchen_maid) wrote2012-02-15 07:41 pm
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Marian in Ambergeldar
Amy ran into Marian when she took Mal -- er, Captain Sir Malcolm Reynolds -- back to Milliways after his visit.
And, after hearing about the goings on there, had invited Marian back for a short visit to Ambergeldar. (She would have invited Marian for an extended visit, especially as Marian cannot get back to her own world, but Marian has security duties, and Amy respects that. Still, even security members need breaks.)
After what happened with Mal, Amy gives Marian a letter of introduction, just in case she winds up in Loddingtop or some such place. And she takes the very simple and practical precaution of holding carefully and tightly to Marian's hand as they step out of the bar and into Amy's wardrobe.
"It's not, I fear, the most exciting first view of the kingdom. Do mind the shoes."
It's not the most convenient thing, having a doorway in your wardrobe. Things will get in the way of coming and going.
Once they're safely into Amy's dressing room, she lets go of Marian's hand. "Welcome to Ambergeldar."
And, after hearing about the goings on there, had invited Marian back for a short visit to Ambergeldar. (She would have invited Marian for an extended visit, especially as Marian cannot get back to her own world, but Marian has security duties, and Amy respects that. Still, even security members need breaks.)
After what happened with Mal, Amy gives Marian a letter of introduction, just in case she winds up in Loddingtop or some such place. And she takes the very simple and practical precaution of holding carefully and tightly to Marian's hand as they step out of the bar and into Amy's wardrobe.
"It's not, I fear, the most exciting first view of the kingdom. Do mind the shoes."
It's not the most convenient thing, having a doorway in your wardrobe. Things will get in the way of coming and going.
Once they're safely into Amy's dressing room, she lets go of Marian's hand. "Welcome to Ambergeldar."
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Amy's smile gets very bright.
"Do you want to see what we look like when they are allowed to paint us as royally as they can manage?"
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"My dear Lady Marian," she says, "we really must."
Though that takes them out of the family's suites of rooms and down several corridors and a very grand flight of stairs and into the State Rooms.
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Though Marian does get a little sidetracked looking at all the wall hangings, glimpsing doors they pass and openings to other areas. It is entirely foreign, and it is for High Royalty, and yet there is something ultimately familiar about it all, touching a well-known place inside of her.
Except that you can tell, just wandering it, that people are happy here.
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And they can wander as slowly as Marian likes -- Amy knows this is a lot to take in and look at.
But eventually they reach the grandly carved door of the Mauve State Drawing Room.
"Ready?" Amy asks, and smiles at the footman who jumps to open the door for them. "Thank you."
This is a room for formally receiving the people who will never be invited to see the Queen's Study. It's all done in gold and mauve, and it's dominated by two huge portraits. The King in Ermine and Robes of State and the Most Impressive of Crowns is clearly Perry (or at least, clearly Algernon).
The other is of a young woman in a very grand pale purple gown. She has hair just slightly darker than gold, and a perfectly straight nose, and nary a freckle in sight. She looks almost, but not quite entirely, completely unlike Amy. (She doesn't even look like Amethyst.)
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"This is positively....horrid." The last word tremors with an only barely repressed laugh.
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"Since no one knew that Perry and I had already met, when he sent an envoy to ask for my hand. Mama didn't want to take any chances until it was too late for him to change his mind. So she told the court painter to flatter me as much as possible.
"I'm fairly certain Herr Van Turpentine painted my sister Pearl from memory and then made the hair a tiny bit darker.
"I'm still sorry I didn't get to see the look on Perry face when it arrived."
Amy looks up at it and them over to Marian and grins. "The dress is accurately rendered, though."
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The faintest of her features. No turned up nose, and no freckles, and they had utterly missed they her eyes light up when she was looking at or talking about that she loved or that made her happy.
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Amy sits in the chair beneath the portrait and attempts to adopt the same pose she had to hold when it was being made.
Which is rather hopeless because it makes her giggle.
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Her voice was teasing, as she looked from Amy's trembling shoulders, to the portrait above her and the matching one too far away from them, as well. "This Amethyst and Algernon. To have gotten a whole room to themselves."
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Amy sits up very straight, her entire bearing changing more or less instantly.
"We daresay we find Their Majesties to be quite dull, but we admit they have their uses," she says, regally as you please.
And then Amethyst is gone, and Amy is laughing again.
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"I don't know if I can believe that. Whatever do you use them for best?"
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Actually, there are a lot of jobs for Amethyst and Algernon.
And for all Amy and Perry might be happiest in the Forest on a picnic with their children, for all they're capable of laughing about being regal . . . they both take the responsibility of Ambergeldar very seriously.
"Oh, and signing proclamations. No one would take a proclamation seriously if it were signed Amy or Perry."
There's a reason that note she gave Marian is signed Amethyst R.
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"The many importance's that come with the keeping of appearances."
The necessary loyalties and loves and duty that put them there.
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It's not just about appearances.
"Well, I think this is quite enough of the Mauve State Drawing Room. Before my head starts to ache just on the assumption that it must be wearing the state crown.
"Where shall we go next?"
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"No one thinks to look for the King in the seventy-third best guest room.
"Merry took his first steps in there, holding onto Perry's hands."
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Instead.
"And, your King-husband? What is he doing, now?"
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"But we just might catch him after the morning's meeting and before lunch. If you'd like to meet him."
Amy is very good at finding the holes in Perry's schedule. The only person better at it is Perry's personal secretary, Alfred, and that's mainly because Alfred is in charge of creating Perry's schedule.
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"We'll wander back that way."
Though they can take a different route, so that Marian doesn't see all the same things twice.
The castle has a lot of corridors.
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"Would you tell the kitchens that I'd like a picnic lunch for four, please?" she asks. "With extra apple pastries, but only if they've made them today. They don't need to make them special."
The footman bows, and leaves for the kitchens.
"They'll probably make them either way," Amy tells Marian, as they head down the hallway. "It's the peril of making a request while royalty. But Norman is very fond of them, and he does tend to turn up at picnics."
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Another of the things she could repeat at home and no would ever believe.
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