April 26, Phantasmorania
Jul. 30th, 2006 01:27 pmTwo years ago, Amy sat in her window after her sister Pearl's wedding, and dreaded having to marry a handsome husband with no sense of humor, and fill her days with crowns and court curtseys and state banquets and no more climbing trees.
A year ago, she climbed out of her window precisely to avoid that happening, having decided that she wasn't going to marry anyone ever, and certainly not a silly handsome prince, and ran off to become a kitchen maid.
Seven months ago, she stood at her window and watched the handsome king she had agreed to marry, riding back through the Forest until she could no longer even pretend that she could make him out amongst the trees.
And today she is up before dawn, perched on her windowsill, watching it get lighter and lighter over the Forest. Perry is arriving later today. (Perry. Algernon Peregrine Humphrey Archibald Lysander . . . Lysander . . . oh, bother . . . Lysander Something Percival Hugh.)
She's still sitting there when Nurse Marta bustles in at nine, with tea and scones on a tray, and a small horde of ladies-in-waiting and maids-of-honor, who are are all properly horrified (if not surprised) to find Her Serene and Royal Highness in her window in her nightdress.
They chatter and laugh like a flock of starlings as they brush and twist and pin Amy's hair, lace and button her into a magnificent gown with a ten foot train, and then add what Amy thinks must be half the contents of the Royal Treasury. Amy looks in the mirror and wonders if Perry will recognize her. (Perry. Algernon Peregrine Humphrey Archibald Lysander . . . Lysander . . .)
"Marta?" Amy says.
"Yes, Princess Amy?"
"What comes after 'Lysander'?"
"Ferdinand," says Nurse Marta promptly. Amy is the only person in the room, and possibly the palace, who cannot remember this by now.
"Ferdinand," repeats Amy. "Algernon Peregrine Humphrey Archibald Lysander Ferdinand Percival Hugh."
And then there is a hubbub from the Courtyard that can be heard even through the windows in Amy's high turret room and that can only mean one thing -- King Algernon of Ambergeldar has arrived in Phantasmorania at the head of a glittering cavalcade of knights, barons, and fair ladies. And not quite an hour later, in the great throne room in the palace of Phanff, His Majesty King Hulderbrand takes his youngest daughter by the hand and leads her forward to meet the King of Ambergeldar.
"My daughter, Amethyst," says King Hulderbrand, a little flustered by the grandeur of the occasion. "Amy, this is Algernon."
Amy manages not to giggle as she sweeps the most beautiful curtsey.
She is more dressed up than he has ever seen her and really looks quite smothered in jewels. But Perry sees only that among the glittering diamonds and ropes of gleaming pearls, her Serene and Royal Highness, Princess Amethyst Alexandra Augusta Araminta Adelaide Aurelia Anne of Phantasmorania is wearing a little necklace of blue and green and periwinkle glass beads.
His Majesty of Ambergeldar replies to the princess's curtsey with the most courtly of bows. He is dressed every bit as magnificently as she is and looks very kingly indeed.
"Oh, dear," thinks Amy in a bit of a panic, "he doesn't seem a bit like my Perry!"
Then the heralds blow a fanfare on their silver trumpets, and King Algernon winks at the princess.
"Oh, Perry," whispers Amy, under cover of the fanfare, "it is you, after all."
"Of course it's me," whispers Perry, "but do try and look as though we've only just been introduced this minute."
"I'll try," giggles Amy, "but I do really believe it's the hardest thing I've ever had to do."
After that, there are no more chances for stolen conversation -- this day is structured and busy and formal and very very public. But Amy finds she doesn't mind (much) that their conversation that day has to be polite and trivial and mostly meaningless. It's enough to see him, hear him, find ways to brush her hand against his at the banquet in the evening.
And after the banquet, when she takes her leave and retires (early, as today has been long and tomorrow will be longer), Perry bows over her hand in the most proper and courtly of ways. But he also slips her a note.
Until tomorrow, kitchen maid. P.
Amy sleeps all that night -- the last night she'll sleep in her turret room with its amethyst-colored tapestry and her window that looks out over the Forest -- with a smile on her face and Perry's note clutched in her hand.
A year ago, she climbed out of her window precisely to avoid that happening, having decided that she wasn't going to marry anyone ever, and certainly not a silly handsome prince, and ran off to become a kitchen maid.
Seven months ago, she stood at her window and watched the handsome king she had agreed to marry, riding back through the Forest until she could no longer even pretend that she could make him out amongst the trees.
And today she is up before dawn, perched on her windowsill, watching it get lighter and lighter over the Forest. Perry is arriving later today. (Perry. Algernon Peregrine Humphrey Archibald Lysander . . . Lysander . . . oh, bother . . . Lysander Something Percival Hugh.)
She's still sitting there when Nurse Marta bustles in at nine, with tea and scones on a tray, and a small horde of ladies-in-waiting and maids-of-honor, who are are all properly horrified (if not surprised) to find Her Serene and Royal Highness in her window in her nightdress.
They chatter and laugh like a flock of starlings as they brush and twist and pin Amy's hair, lace and button her into a magnificent gown with a ten foot train, and then add what Amy thinks must be half the contents of the Royal Treasury. Amy looks in the mirror and wonders if Perry will recognize her. (Perry. Algernon Peregrine Humphrey Archibald Lysander . . . Lysander . . .)
"Marta?" Amy says.
"Yes, Princess Amy?"
"What comes after 'Lysander'?"
"Ferdinand," says Nurse Marta promptly. Amy is the only person in the room, and possibly the palace, who cannot remember this by now.
"Ferdinand," repeats Amy. "Algernon Peregrine Humphrey Archibald Lysander Ferdinand Percival Hugh."
And then there is a hubbub from the Courtyard that can be heard even through the windows in Amy's high turret room and that can only mean one thing -- King Algernon of Ambergeldar has arrived in Phantasmorania at the head of a glittering cavalcade of knights, barons, and fair ladies. And not quite an hour later, in the great throne room in the palace of Phanff, His Majesty King Hulderbrand takes his youngest daughter by the hand and leads her forward to meet the King of Ambergeldar.
"My daughter, Amethyst," says King Hulderbrand, a little flustered by the grandeur of the occasion. "Amy, this is Algernon."
Amy manages not to giggle as she sweeps the most beautiful curtsey.
She is more dressed up than he has ever seen her and really looks quite smothered in jewels. But Perry sees only that among the glittering diamonds and ropes of gleaming pearls, her Serene and Royal Highness, Princess Amethyst Alexandra Augusta Araminta Adelaide Aurelia Anne of Phantasmorania is wearing a little necklace of blue and green and periwinkle glass beads.
His Majesty of Ambergeldar replies to the princess's curtsey with the most courtly of bows. He is dressed every bit as magnificently as she is and looks very kingly indeed.
"Oh, dear," thinks Amy in a bit of a panic, "he doesn't seem a bit like my Perry!"
Then the heralds blow a fanfare on their silver trumpets, and King Algernon winks at the princess.
"Oh, Perry," whispers Amy, under cover of the fanfare, "it is you, after all."
"Of course it's me," whispers Perry, "but do try and look as though we've only just been introduced this minute."
"I'll try," giggles Amy, "but I do really believe it's the hardest thing I've ever had to do."
After that, there are no more chances for stolen conversation -- this day is structured and busy and formal and very very public. But Amy finds she doesn't mind (much) that their conversation that day has to be polite and trivial and mostly meaningless. It's enough to see him, hear him, find ways to brush her hand against his at the banquet in the evening.
And after the banquet, when she takes her leave and retires (early, as today has been long and tomorrow will be longer), Perry bows over her hand in the most proper and courtly of ways. But he also slips her a note.
Until tomorrow, kitchen maid. P.
Amy sleeps all that night -- the last night she'll sleep in her turret room with its amethyst-colored tapestry and her window that looks out over the Forest -- with a smile on her face and Perry's note clutched in her hand.